Media

 

 

 

 

 

Media mentions during the years.

  • Scottsdale Museum of Contemporary Art website, 2007

  • Area revues, N°11, Spring / printemps, 2006

  • Genevrier-Tausti, Terhi. “Vivant, l’art” Area Revue, (Spring, 2006).

  • Lacy, Sherri. “Sculpture, fiber art at PCC”, Caliente (February,2006).

  • Stewart, Albert. “Yves Amu Klein and Coral Turner”. Louis Carlos Bernal Gallery, director, 2006.

  • Valenta, Reinhard. Bauer, Barbara. Stockmeier, Johannes. “Dialoge”, Helmut Angles Verlag, 2003.

  • Wilson, Stephen. “Information Arts”, The MIT Press, 2002.

  • Lecturer. “Living Sculpture”. Arizona State University, Arizona, United States, 2000.

  • Kish, Matt. “Sculptor Klein really makes his art come alive – really”, The Arizona Republic, 2000.

  • Ribettes, Jean-Michel. “L’Oeil hors serie, Machin/Machines”, Publications Artistiques Francaises, 2000.

  • R&D. “Octofungi”. Discover (September,1999).

  • Rato, Vanessa. “Sabe o que é um octofungi? Quinta-Feira, 1999.

  • Panelist. “Living Sculpture”. Conference for the Festival Atlantico, Lisboa, Portugal, 1999.

  • Dr. Bakali. “Deste lado do Atlantico”, Blitz, 1999.

  • Panelist. “Living Sculpture”. IEEE International Conference on Robotics and Automation, Michigan, United States, 1999.

  • Klein, Yves. “Living Sculpture”. Digital Salon (volume 31, Number 5). Leonardo-Journal of the International Society for the Arts, Sciences and Technology. MIT Press, 1998.

  • Nuridsany, Michel. FIAC: le calme plat… Air de Paris crée la surprise en montrant des oeuvres d’Yves Klein, mais Yves Klein junior…. Le Figaro (October, 1996).

  • Chaubin, Frederic. “artist Yves Klein Jr. explores RObOT-animaL interactions. artificial and ‘natural intelligence'”. Citizen K (Fall, 1996).

  • P.M.B. “Octofungi”. Abendzeitung (April, 1996) Roseman, Kristin. “All About Yves: A Look in Darwin’s Kitchen”. Java (January,1996).

  • Blain, Françoise-aline. Mongin, Flore. “Quoi de neuf: Neurosculpture”, Nova Magazine, Nº 21, (September,1996).

  • Robot and Art The Living and the Life-like: Art and Artificial Life